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The Lack of U.S. Latino Representation in TV Shows & Films


Gordita Chronicles Latino show canceled in 2022

“Gordita Chronicles,” a coming-of-age comedy about a young Latina growing up in Miami, was canceled just one month after its first season premiered on HBO Max in June 2022. (Source)

November 21, 2022 ~ By Shari Rose

Latinos are the largest minority group in the U.S., but only 3% of TV shows and 5% of films in 2022 had a Latino lead

In 2022, U.S. Latinos account for 19% of the total American population, and their cohort is even larger among younger generations. More than 1 in 5 millennials are Latino, and 25% of Gen Z is Latino. However, Latino representation in media, specifically TV shows and films, consistently fails to acknowledge and reflect the growing Hispanic population. 

In its annual report, the Latino Donor Collective (LDC) examined Latino representation in television shows and films in 2022, and the numbers are appalling. Of the 883 TV shows that aired new episodes in 2022 on cable or streaming platforms, just 27 shows (3.1%) had a Latino lead actor. Among their findings, the LDC concluded that:

  • Just 1.5% of showrunners are Latino
  • Of the 8,830 new episodes that aired, only 1.3% had a Latino director
  • There are currently zero Latino showrunners on cable television

Latinos are the largest minority group in the United States with an estimated GDP of $2.8 trillion. If U.S. Latinos were our own country, we would be the fifth largest economy in the world. So why is representation of Latinos in America on television so atrocious? 

Latino representation in films did not fare much better in 2022. Of all movies that were released in theaters or streaming only, just 5% had a Latino lead. Furthermore, only 2.6% of all films in 2022 had a Latino director. Regarding box office films released this year, the LDC found that:

  • 4% of box office films had a Latino director 
  • 1% of box office films had a Latino screenwriter
  • There were zero Latino leads in action and sci-fi films

Despite the abysmal lack of representation in movies, U.S. Latinos purchased 29% of all box office tickets sold for English-language films in 2019. Latinos disproportionately go to the movies more than other racial and ethnic groups in the U.S., and yet the film industry consistently fails to produce stories that reflect their experiences. 

Lack of Latino Representation in TV

While the TV industry as a whole has made recent improvements in generating content that acknowledges the experiences and perspectives of other racial minorities in the U.S., it has failed to rise to the occasion with Latino representation. 

Graph of Latino representation in broadcast channels

Graph from the Latino Donor Collective that examines on-screen representation of different racial and ethnic groups in the United States. Latinos are under-represented across all metrics on streaming, cable, and English-language broadcast platforms. (Source)

Of all streaming shows that aired in 2022, the LDC found that:

  • 11.18% of streaming shows had on-screen representation of Asian Americans, who account for 6.1% of the U.S. population
  • 16.12% of streaming shows had on-screen representation of Black Americans, who account for 13.6% of the U.S. population
  • 62.55% of streaming shows had on-screen representation of non-Hispanic white Americans, who account for 59% of the U.S. population. 
  • 9.29% of streaming shows had on-screen representation of Latinos, who account for 19% of the U.S. population 

Furthermore, many premium and regular cable channels do not have even a single Latino lead or showrunner in their programming. Of the following premium cable channels, there are zero Latino leads and zero Latino showrunners: 

  • HBO
  • Paramount
  • Showtime
  • Starz
  • Epix

Of the following cable channels, there are zero Latino leads and zero Latino showrunners (not an exhaustive list):

  • AMC
  • Comedy Central
  • Discovery
  • E!
  • Food Network
  • HGTV
  • History Channel
  • Lifetime
  • TBS
  • TLC
  • TNT
  • USA
  • Animal Planet

When comparing 2018 to 2022, Latino representation in TV shows actually worsened across some metrics. For example, 3.5% of all episodes that aired that year had a Latino director in 2018. In 2022, that number fell to just 1.3%. 

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Cancellation of Latino-Led TV Shows

Of the few Latino-led TV shows that actually get created, they are often quickly canceled before they have the opportunity to build an audience or fanbase. Shows like “Gentefied” on Netflix, “Gordita Chronicles” on HBO Max, and “Promised Land” on ABC were canceled in 2022. Each of these shows had less than 20 episodes. “Gordita Chronicles” was canceled just one month after it premiered. 

Gentefied Latino TV show cancelled by Netflix in 2022

“Gentefied,” a Netflix dramedy about a Mexican-American family created by Marvin Lemus and Linda Yvette Chávez, was canceled in January 2022 after two seasons. (Source)

These Latino-based shows pushed back on all-too-common negative stereotypes of Hispanic heritage and portrayed multi-dimensional characters and families. Unlike so many other shows that rely on stereotypes in their characterization, these Latino characters were not portrayed as drug traffickers, house maids, or sex icons. These shows shared rich and engaging stories about the Latino experience in America, and now they’re gone. 

Positive portrayals of Latinos in the media affects how the world understands the community, and even how Latinos see themselves. We crave to watch stories we can relate to and characters we can identify with. But despite our massive numbers and ever-increasing population growth, U.S. Latinos are routinely ignored and underrepresented in the media. And it is to the film and television industry’s own peril to ignore the value that Latino stories and perspectives bring to a mainstream audience. 

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Shari Rose

Shari Rose

Owner of Blurred Bylines

I created Blurred Bylines in an effort to bring stories from marginalized perspectives into the national conversation. As a former copy editor at the largest newspapers in Arizona and Colorado, I’ve seen first-hand the potential of accurate and accessible information to change minds and affect national policy. 

My stories focus on individuals fighting for justice and their own rights as Americans, survivors of violent crime who rebuilt their lives after tragedy, shifting political trends that seek to strip the LGBTQ+ community and other minority groups of their freedoms, and forgotten figures in U.S. history whose fights for equality persist today.

Through writing these articles, I stumbled upon the power of search engine optimization (SEO) to attract interested audiences to my writing. In addition to the ad-free and paywall-free stories I write at Blurred Bylines, I also perform SEO services for businesses, nonprofits, and fellow freelancers around the country so they can grow their organizations through search engines. 

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